Submissions Updates

Query Prickles: How To Write Your Submission Pitch

You’ve finished your book. Now what?

It’s the dreaded query letter time.

But how could I possibly cram the multi-layered plot, complex characters, 80-100k worth of words into one tiny paragraph?

Answer: You don’t.

Understandably, authors get hung up on getting all the details of their manuscript in their pitch, and at the same time throwing in vague cliche turns of phrase to make it sound more “exciting.” This usually results in a bloated and confusing blurb that reads more like a badly written synopsis. Try to let go of all that and focus on the sole reason for your pitch: you want to compel someone to read your pages.

How? Well, when you pick a book, or a movie, what is the reason you choose to experience that particular story? Because the blurb/trailer/pitch caught your interest.

As it’s better to teach by example, I’m using Suzanne Collins’ The Hunger Games, because most of you have read/seen it, and those who haven’t, have heard enough about it to have an idea of what it’s about and who the major players are.

Now, think about all the themes of the story. Dystopian world as a result of environmental pollution, oppression of the poor by the rich, unequal caste systems, what is real love, feminism, the dissociation of humanity through reality TV, family, post traumatic stress, morality in the face of survival, body image issues, love triangle, and on and on. List the major characters, Katniss, Peeta, Gale, Haymitch, Effie, Cinna, Primrose, Rue etc. What are the major plot points; district with Gale, train to capital, presentation of the candidates, Peeta’s in love, Hunger Games begins, and so on.

Okay, with all those details swarming in your head, here’s the blurb on the back cover of the book:

  • In the ruins of a place once known as North America lies the nation of Panem, a shining Capitol surrounded by twelve outlying districts. Long ago the districts waged war on the Capitol and were defeated. As part of the surrender terms, each district agreed to send one boy and one girl to appear in an annual televised event called, “The Hunger Games,” a fight to the death on live TV. Sixteen-year-old Katniss Everdeen, who lives alone with her mother and younger sister, regards it as a death sentence when she is forced to represent her district in the Games. The terrain, rules, and level of audience participation may change but one thing is constant: kill or be killed.

How many details made it into the pitch? Notice not even Peeta is mentioned, nor is the fact that Katniss is an amazing hunter. The mockingjay is missing, as is President Snow and Haymitch. Nothing indicates the multi-layered complexity of Collins’ world. It simply offers a taste of the story with the hope that you will order the whole dish.

So learn by example. Find and read twenty-plus back covers of books that fall in the same genre as yours. (Browsing Goodreads or your local bookstore is great for this.) Choose your favorites, the ones that really intrigued you, and mimic their style. Practice.

This will hone your eye. The more you mimic, the more natural pitch-writing will feel. And just as all the other aspects of your story evolved and became better with time, so will your pitching.

For further reading, I highly recommend you read the craft book SAVE THE CAT! WRITES A NOVEL by Jessica Brody. This will help you break down the themes of your novel and focus on the important aspects that should go into your pitch. 

Rejection and Publishing

Rejection, it’s a word all writers loathe and fear. I myself have been rejected as an author by zines, agents, editors, workshops, and readings. It’s a difficult road, and I feel for the thousands of writers that pass through our slushpile everyday. It’s hard not to take each rejection like an arrow to the heart and I’ve seen writers who have become bitter, angry, sad, and then broadcast it online. They vent their frustration, believing they have been wronged, calling publishers, editors, agents alike nasty names and blaming them personally for the rejections.

One of the most important things I have learned since entering the other side of publishing is that rejection is not personal. Publishing is first and foremost, a business. The people within publishing love books (they have to, for it is rarely a lucrative career), but they are not artists per say, so they are looking at each submission with a practical eye. For example, as beautiful as your prose may be, if the book is hundreds of thousands of words long, an agent knows that a publisher will not probably not pick it up because to publish a book that large costs more money. No one is saying the writer is a bad writer for having a long book, it just means the writer probably doesn’t understand the business side of publishing and is likely inexperienced.

So if you are like the average writer and wish to have a financially successful career, do your research, know the business and understand that it’s similar to any other job. Your first project is your entry-level resume. You’re going to have to submit it to as many places as you can, be rejected or ignored, and even if you do get hired, you won’t be the CEO within the year. But if you keep honing your craft by going to school or workshops or conferences, doing online research, critical reading and practicing writing, just as you would invest in another career, your odds of success become much higher.

And you will see that rejection is just business as usual.