Literary Agent Advice

Submissions Update

Despite the best laid plans, I was unable to open to submissions this winter. As much as I would love to sign new clients, current clients take priority, so I’m remaining closed to submissions until my schedule opens up again. My goal is to respond to pending submissions and re-open by this summer, maybe a bit earlier. To the handful of people who are waiting for a response to their submission, I thank you for your patience. Know that your submission is still under consideration.

For those of you who love query stats–I received about a thousand queries while I was open in Oct/Nov 2023. Of those, about 100 made it into the further consideration pile. Since then: I have responded to 60 or so. Quite of few more, around 20, received offers of representation on which I stepped aside. I have yet to request any fulls.

Do note, my standard timing is elongated due to outside forces, but as personal and professional interruptions that cut into submission response times are fairly common in an agent’s career, it’s a good statistical variable to take into account.

Closing to Submissions

The mornings are getting chillier, and as the popular meme says the “let’s circle back after the holidays” season has begun. I am closing to queries until the new year to catch up. For those of you who enjoy the wonking out stats, I received over 1000 queries since opening in mid-Oct. From the earlier batch this past spring, I am currently considering 16 fulls, which I hope to respond to by the end of the year, before I request more fulls from the newer pile. I wish my response times were faster, but that’s not possible at this time. See you in 2024.

I hope everyone who has the privilege of a holiday season enjoys it, may it be lovely and restful.

Praying for peace 💔

Mary C. MooreSeptember 11, 2023

One of my favorite independent publishers is hosting an auction. Levine Querido is doing amazing work in the kidlit publishing space, so I’m happy to support them with a donation of two query letter + five page critique. To bid on one of my critiques click here! (If I have already reviewed a submission of yours, you can still bid.)

Or check out the rest of their amazing offerings at the auction here.

Agency Change

This summer has flown by, but is mellowing as the baked California earth and fattened wildlife slows to a simmering laziness around me. School has started, putting the family back on a consistent schedule and the baby is now officially toddling. We picked ten pounds of blueberries to catch the last sweetness of the season, but are still waiting on the tomatoes and dahlias, due to a chilly June.

Speaking of waiting, thank you to all you authors who have been patiently waiting for a response to your submission. I’m behind schedule, currently narrowing the list down to full requests. The delay is due to a change on my end, I have joined the team at Aevitas Creative Management. I am thrilled for this new journey and excited to see where it will take me and my clients.

I am grateful to the amazing people at Kimberley Cameron & Associates. My experience at KC&A has allowed me to be poised for more growth and success in this next journey. I am proud of what we accomplished during my time there, and they have been incredibly supportive of this transition.

If you have a submission waiting with me, please note it may be a bit longer while I settle in at my new agency. If you wish to withdraw, you may do so at anytime and if you change your mind you can resubmit at a later date.

In the middle of all this, I did make it to NYC for a whirlwind trip. So delighted I could catch one of my client’s launch parties, Yume Kitasei and her debut The Deep Sky from Flatiron, Macmillan.

Skimming vs Deep Reading Submissions

I quietly opened to queries ten days ago for the first time in over two years. I was closed for so long mainly because my clients were turning in multiple manuscripts regularly. It was averaging 30 manuscripts a year, which meant there was no time nor room in my head for deep-reading fulls in my submission pile. And the idea of opening up to queries was daunting, I’d been hearing from others how there’s been a surge in submissions since lockdown. But a few things aligned that pushed me forward. Most important, I caught up with my clients. On top of that my baby is now posed to enter toddlerhood, so the newborn days are a foggy memory. And lastly we revamped the website at the agency (check out the new Kimberley Cameron & Associates site, it is lovely, professional, and friendly in my totally biased opinion).

My cat Rainbow has a sixth sense for when I’m reading on my tablet.

Once I made the decision to seek new clients, I realized I was ready, keen even, to read subs. When over a hundred submissions rolled in that first weekend, I was surprised, but not overwhelmed, jumping in late at night, as the baby slept curled against me. I tweaked my submission form a few days later to find the quickest way to work through them thoughtfully, and plowed on in the odd hour I could find here or there. I skimmed through some fantastic pitches and lovely samples, all of them had potential, but only a few I set aside for further consideration. This is the easy part, the scanning, skimming, flicking through text. If this was all there was to it, writers would never have to wait long for a response.

But of course that’s not how it works. Many of you probably have partials or fulls that have been with an agent for months, even a year. Sure enough, five hundred submissions later, I’m slowing down. The maybe pile is growing. As eager as I am to find a new client or two, I’m not going to rush this part. Although I can enjoy a quick read, see potential in a few sentences, I’ve learned from experience that I have to truly sit with and deeply read a manuscript in order to absorb it, to have an editorial vision for it, to know if the connection I feel will be enough to champion it through the ups and downs. And that is a must before I take on that manuscript for representation. To find that vision, I have to be in that “Deep Reading” space. There’s a fantastic interview by Ezra Klein with literary scholar Maryanne Wolf on the difference between scanning and deep reading.

Both methods are valid, and indeed necessary when I’m considering submissions, but a deep read is the final step before I would offer representation, and it’s the most difficult to achieve. The research done by Wolf and others of the neuroscience behind the different ways we absorb information, is fascinating and enlightening and helped me further define how I want to work. It has also meant clarifying something I had already sensed, that I was going to take longer than ever to read and consider fulls for representation. But I have to be okay with that, and I hope after reading this, writers will choose to query me (or not) with this deeper understanding of my process.

Unwinding the Anxiety and Joy of the Writing Process

An old adage you often hear in writing circles is that “writers write because they have to.” There’s this idea that true writers don’t write for any reason other than that they are called to. They were born to write. Like all the arts, there’s the romanticized idea of the starving artist, someone who does it purely for the love of it, no matter the cost.

I’ve always had an uneasy understanding of this concept, even before I became a literary agent. My internal drive to write comes and goes. I grapple with whether or not I’m a true author. Despite having written two full manuscripts, novellas, and a short story collection, I doubt myself. So when my daughter was born, and I found it too hard to keep up the habit, I let the idea that I was a writer go. I believed I just wasn’t wired that way. I wasn’t born to write.

Maybe I was born to read. After all, it was always almost effortless for me. As a child I read almost the entire children’s section at my local library. In high school I could read a book a night. Postpartum I joined a book club and didn’t take a maternity leave from agenting. I inhale books like a kid with birthday cake. So a career as a literary agent feels natural, like it was what I was meant to do. I never doubt my reading ability, reading is a comfort.

When the pandemic hit, I further explored and expanded that comfort. I found fresh joy in editing my client manuscripts. I discovered a surprising new love for nonfiction, immersed myself in musings on firebombing a woodchuck den and the origins of our discontents. Particularly I was drawn to books that dug into how the brain is wired. I made tiny changes and really began to understand how hooked I was. This attraction to learning more about neurology wasn’t surprising, as even before this anxiety-inducing pandemic, neurosis is an old foe of mine. I was diagnosed with PTSD in my early-twenties, and have struggled with anxiety-related problems since then. Add a global pandemic, well it’s not hard to imagine my state of mind in 2020, as many of you felt it too.

So when browsing the nonfiction new releases section, a specific book caught my eye. Unwinding Anxiety: New Science Shows How to Break the Cycles of Worry and Fear to Heal Your Mind by Judson Brewer, MD, PhD. With a healthy dose of skepticism and hope, I dug into it. To my delight, I found it offered wonderful tools to help rewire my brain’s knee-jerk anxiety and rethink how I approach stressful situations. I suspect it is a great audio book, and have been recommending it to friends with anxiety from all corners of my life. It’s not a cure-all, but I found it helpful.

But what does this have to do with writing?

A lot actually.

I was struck by a particular line: You need to find a reward that is more rewarding and doesn’t feed the habit loop through mere substitution of a different behavior (165). What a great line. To put in context, your brain is reward-based and its default is to operate on habit loops. Negative loops can’t be broken by simply changing the reward. To break negative loops, one must step back and examine where the anxiety is coming from.

I wondered if those authors that were “born to write” in reality had found a positive internal reward process for their writing habit. (I was validated soon after in chapter 22 where Dr. Brewer explains his own writing process.) And those who gave up writing, maybe found they couldn’t break out of the negative anxiety cycle that comes with writing, submitting, and publishing.

As a literary agent, I can support this in practical terms. We all know the intensity of writers who want to be published. You’ve heard the urban legends of manuscripts slipped under bathroom stalls, mailed with expensive bottles of booze, etc. I’ve been pitched on the beach, in an airplane, even at a lab while getting my blood drawn. It’s pretty wild. Looking through the lens of Dr. Brewer’s thesis, it becomes more understandable. Obviously being published represents a big reward, validation of the writing process. And maybe that’s what is needed for a person to continue writing. It’s not that writers are aggressively desperate to get published for fame and fortune, but rather their writing habit is at risk. Because, for whatever reason, financial, mental, energy, timing they need outside validation that their writing is worth it. If the author feels good about writing, the author writes more, the author becomes a better writer. But if the author feels bad about writing, well what then? Hence this belief that getting published will solve that anxiety.

In theory, along with publication comes financial support, accolades, film interest, an audience etc. All factors that should feed the writing validation loop. But what writers can be faced with, once they are published, is the results do not meet their expectations, does not validate them in the way they believed it would. For many reasons. The book could not sell well (or at all), the reviews could be bad, social media could dogpile it, etc. Maybe the editor or the agent wasn’t a good fit. Maybe the author finds being on deadline to be draining and so on. This feels especially poignant currently, with pandemic burnout and increased levels of anxiety seeping into all aspects of our lives. Now the author is fighting bigger and meaner obstacles to feel good about writing. They may be dragged down by a negative feedback loop cycle, causing unhappiness, stress, disillusionment, or even paralyzing them from writing more. They might convince themselves they don’t have what it takes, because even when they achieved the dream, they aren’t happy. So then they think, maybe this means I wasn’t born to write. I’m not a writer after all.

Which of course is not true, it’s their anxiety controlling their thoughts (side-eyes my own writing insecurity). My favorite advice for writers is to breathe, look forward, and focus on the next project. Because, just like being on submission, publication leaves a void in your writing process. Your project is out of your hands, out of your control, giving anxiety an opportunity to step in. Dr. Brewer calls this feeling, a hungry ghost. Like big empty stomachs, voids don’t feel good; your brain, when faced with one thinks, Do something! Fill this! This is terrible! I’m getting sucked into this awful pit of despair. But you can’t fill a void–by trying to fill it, you just perpetuate the habit loop (171). His answer to a negative feedback loop is a combination of mindfulness, curiosity, and kindness. Rewire the cycle, so that the reward is not anxiety, but something positive. Perhaps joy and pleasure in the act of telling a story, sharing your thoughts, processing life itself. Maybe these ”born authors”, whether it be through privilege, passion, or perseverance, have hijacked their feedback loops so that the act of writing itself is the reward for their writing habit.

This would mean that I wasn’t born to read, but rather the rewards for reading throughout my life have been high, so my reading habit loop is dug deeply into my brain. Reading was my comfort, I could escape a lonely childhood, not fitting in, social awkwardness, toxic relationships, a traumatic event. It rewarded me with knowledge, wisdom, empathy, a career I love, insights into worlds I never dreamed about. And the joy I find in reading and editing my clients’ manuscripts have allowed me to weather the ups and downs of literary agenting, even in a pandemic. Dr. Brewer refers to this joyful approach to a habit as Loving Kindness Practice (209). It has many names and, as he acknowledges, it stems from ancient practices.

I use this practice with my clients, although I didn’t have exact terms for it. I started to see early in my career, that by championing my authors in all aspects and phases of their writing process (even if that process is not writing at all for a time), and sticking by them if they struggled, they had a validation feedback loop. Make no mistake, they are doing the work, but they have more incentive and breathing room to keep writing (often they also have writing groups that can deepen this needed support). And watching their writing blossom when working together is incredible. The longer I’ve been doing this, the more I’ve developed my client list around this idea. It takes time and patience, it’s not the right fit for some writers, and it’s not always exciting or newsworthy, but it seems to work for my clients, who hopefully feel they have stability and support in an ever-changing chaotic industry and an increasing anxiety-laden outside world.

So what about my own writing?

Back in March I was interviewed on the Middle Grade Ninja (episode airs June 26). The host Rob was wonderfully warm, and we had a lovely chat about publishing and how I work as a literary agent. Near the end he took me off guard with the question, “do you still dream about being a published author?”

I blurted out, yes. Surprised the hell out of me too. But it wasn’t my old dream of getting the big book deal and becoming a household name (not that I would turn that down). Rather, as I tried to clumsily explain, it was a quieter dream. I dream of writing a novel in which I truly enjoy the process of putting words to a story. When I think about the first time I found joy in writing, it was because I wrote about my trauma and subsequent PTSD under the thinly veiled guise of a fantasy novel. I reframed my narrative into one that gave me power and one I could love.

I thought I had lost that joy somewhere along the way, but then why do I continue to blog? Blogs are outdated, writers don’t really need yet another literary agent advice blog, and each of my posts garners no more than a few hundred views per year. I’m not even sure my family and friends read this. So I’m not exactly getting outside validation. (Thank you my handful of loyal readers, I see you.) Did some internal appreciation of simply writing the posts sneak in there? I’d been so distracted by my own negative feedback loop that I had missed the possible positive reward signals. That I am still writing. I am a writer. As Dr. Brewer states, Awareness is also required in order to affect or change behavior: you have to become aware of or wake up to being in the middle of a habitual behavior before you can do anything about it (162).

So for those of you struggling with the writing process, whatever stage you are at in your career, know you are not alone. Maybe you took a few years/decades off. Maybe you pivoted from being published with the big publishers to indie. Maybe you don’t have the privilege of time or financial support right now. Maybe the agent query process is really draining you. Maybe you are burnt out. That’s okay. That doesn’t make you less of a writer. Be kind to yourself. Respect yourself, starving artist or not. Don’t write at all costs. Meditate on what about writing gives you pleasure, and find your way back to its joy.

Grammar and the Inferiority Complex

It is universally claimed that one of the major reasons submissions get rejected is because of grammar errors. That an agent will take one look at the spotty pages and toss it out. 

So those of you who have done the research and understand the submission process to the best you can, of course you comb through your pages, even futilely AFTER you send it (I see you, you anxiety-ridden worker bees). And upon re-reading you discover that you misplaced a comma, or even worse, misused a homophone! So you agonize when that rejection letter comes in, was it because you spelled the witch’s altar with an “e”? How could you have been so dumb?

I’m here to reassure you. We are human, we make mistakes. Publishers have entire departments whose soul job (see what I did there?) is to make sure their content is grammar-error free. And even then it’s not a hundred percent, we’ve all caught a random error in a published book. 

Sure, there are professionals (or people in general) who will judge your pre-published work based on its grammatical precision. But before you label yourself stupid or inferior for making those mistakes, try to see the bigger picture.

“Perfect” grammar is an inherently classist concept (PrintRun Podcast has a wonderful episode about this: Grammar and Power). Someone who belittles others about grammar, had the privilege of an elite education. They are attempting to wield power–their intention is to make you feel inferior, nothing else.

And by default, agents sit in a position of power. Power creates hubris. It’s a reality we’ve all been faced with. Some deal with it better than others.

So turn the picture around. Consider what you want in a literary agent. If an agent actually rejects your submission because of specific grammar errors (potentially rules that you were not educated in) do you want to work with them? Coming from such different perspectives, will they understand or relate to the content and be able to champion it with the passion and sensitivity it deserves?

This is not to say you should toss all your grammar concerns aside. Odds are your submission isn’t getting very far because your writing is underdeveloped. Writing is first and foremost an apprenticeship. You should be continuously honing your skills, including your proof-reading abilities, so your prose reaches toward your ultimate goal, whether it be more elevated, more streamlined, easier to read, more beautiful etc.

This may seem like conflicting advice, don’t worry and do worry about grammar. To be clear, understanding why grammar is important and how to wield it, can and will strengthen your writing. This education is an attainable power, but there is no shame in your ignorance of it. Your path is different, but your work is not inferior. Anyone who tells you different, whatever position of power they hold, is the one with the complex.