Genre Breakdown: Epic Fantasy

middle earth map

Welcome to the second post in the genre breakdown series. (The first tackled the ever-so-vague genre, Magical Realism).

I recently tweeted for MSWL day my wish for epic fantasy:

It turns out it was a popular request with quite a few claiming to fit the bill. I was stoked to discover there were so many epic fantasy writers out there, as it’s one of the most difficult and time-consuming genres to master. Since I am currently closed to submissions to catch up on my slushpile, a few writers tweeted/pitched me asking if they could submit anyway. Hell yes they could, if they really did fit my MSWL! More questions rolled in as did submissions, and my enthusiasm waned. Turns out, most were not in fact epic fantasy but rather more traditional fantasy. Some landed in the high fantasy realm, but weren’t quite epic enough. I realized my tweet needed to be clearer.

I’m craving fantasy that is epic with a capital E.

Game Of Thrones Houses

The biggest difference between epic and traditional fantasy is the size of the cast and the scope of the plot. Generally, epic fantasy is a sweeping saga of a secondary magical world and its people. They run long (hundreds of pages per book) and world-building is paramount, think detailed maps in the front matter and comprehensive family trees in the back. There are multiple characters and multiple storylines and a lot of history and lore is woven in. Usually they are set in a Western European medieval type background. The most famous of this subgenre are LORD OF THE RINGS and GAME OF THRONES.

On my particular wish list is epic fantasy that is not set in the standard European-inspired world. I want matriarchy and magical beasts that are atypical. Weapons that are not swords and guerrilla warfare over bloody battles. I want the people to be colorful, and diverse. Magic that is thoughtful and wild. Jungles and deserts and tropical oceans. I want epic fantasy that chews up the tropes and spits them out again.

But I do want it to be EPIC.

LONDON, UNITED KINGDOM - SEPTEMBER 18: Portrait of English fantasy author Sir Terry Pratchett, photographed to promote the 40th novel in his Discworld series, Raising Steam, on September 18, 2013. (Photo by Kevin Nixon/SFX Magazine via Getty Images)

Sidenote: Anxious writers should be reassured that the lines between subgenres are often blurry, and there is no harm in pitching what you think is a space opera but is actually a military scifi thriller to an agent who represents science fiction. We may mumble to correct you, but as long as you are under the main genre umbrella, we’re happy to consider. However, when it comes to #MSWL, at least in my particular case, what we are looking for is pretty focused. So a gentle reminder, when you are following up with an agent on their manuscript wish list, make sure your submission actually fits their MSWL. Otherwise you’re getting their hopes up, and then letting them down. Better off submitting through their regular channels where there are no expectations that it fall true to a subgenre. On the flip side, if you’re positive your manuscript fits, then make sure to let them know!

Letting That Manuscript Go: An Agent’s Struggle

ice monster

On the surface we agents may seem cold-hearted. We crush dreams on a daily basis after all. But dig a little deeper and you’ll find we truly do care. Sometimes too much. One of the hardest things I face in the slushpile is letting go of manuscripts that I know are good, but I just can’t take on. And the reason is frustrating. There are so many authors out there and so few agents. I just don’t have the space for all of the good ones.

Right now I’ve whittled my submission pile down to 33 full manuscripts. And that’s a win for me. It was at 80. My goal is to have answers for them by the end of August, but I can only take on 1-2 more clients this summer. As I whittle the decisions get harder and harder. Occasionally I can spot a needed revision, pass notes along to the author, and hope that they will take long enough with the edits that by the time they resubmit there is space for them. But more often than not, I have to let it go. I loved it, but not enough. Perhaps it was a bit too quiet, or the author didn’t have enough of an online presence, or I’ve already got a client with a similar style. All of these seem like silly reasons to pass, but they are reason enough. And so, with a sadly inadequate letter, I say goodbye, hoping that the author will persevere and find a home for their writing.

Then I turn around and submit my clients’ work to editors who are faced with the same damn dilemma. Who not only have to fall in love but also have to make the decision to champion the manuscript, fight for it in acquisitions and convince others, such as marketing, to take it on. So no surprise agents get a lot of rejections too.

This business can be heartbreaking, causing us agents to form an icy defensive layer. But we are not cold-hearted. We wouldn’t be in this if we didn’t love books and the artists who create them. I hope this perspective, for those of you in the query trenches, inspires you that we are cheering you on even as we let it go.

let it go

Write Tip: Character Eye Color

We all want our characters to be special, unique, stand out from the crowd. And often writers attempt to achieve this, in part, by giving them “piercing” or “soulful” or “wide” eyes of a lovely shade of blue, ice, green, violet, hazel, etc. Basically any color except that plain old brown.

Elizabeth Taylor was famous for her “violet” eyes. Is your character as fabulous as Liz Taylor?

But if you were given a peek into the slushpile, you would be a bit embarrassed to realize by giving your character such special eyes, you’ve actually made them quite ordinary. If we were to postulate eye color statistics based off of characters in submissions, the world would be made up of mostly green and blue-eyed persons with a good chunk of beauteous hazel/violet-eyed gals in one corner and steely, silver/amber-eyed hunks in another. (There would also be a looot of white people, but that’s a post for another day.)

I may sound like a broken record at this point, but write with awareness. Don’t default to the easy way. Your character’s uniqueness should not be shown through their eye color but rather through the situation they are in (the plot) and how they handle it. Their looks are a part of who they are, but not what makes them stand out. Their appearance should be realistic, for many reasons, number one so many different readers can relate to them.

This is not a rule, just a suggestion to consider. Unless their eye color is super important to the story (for example Alanna’s violet eyes in the Song of the Lioness series. Her magic is purple to match, and the blue-eyed prince’s magic is blue) consider defaulting to brown, especially when there are many characters in the story. Because brown eyes can still be attractive, unique, special, windows to the soul, etc. (full discloser, my eyes are brown). And because statistics.

Percentage of eye color in the world according to the American Academy of Ophthalmology:

  • brown 55%
  • blue 8%
  • hazel 8%
  • green 2%
  • silver (rare)
  • amber (quite rare)
  • violet (extremely rare)

TWO PERCENT OF THE WORLD’S POPULATION HAS GREEN EYES. Something to think about. *While we are at it, two percent are red heads too. So that gorgeous green-eyed woman with the rich red hair? Reconsider. (I’m looking at you, romance writers!)

Love to hear opinions on this, agree, disagree?

Rejections – Slow Personal vs Quick Form – Writers Weigh In

Artwork by Shugo rai

In the life of a literary agent, the submission pile is a never-ending weight on our shoulders. As I write this, I have around 80 requested full manuscripts awaiting my response. But I’m looking to sign only two clients by the end of the summer, maybe three. So obviously 70+ are going to have to be rejected. And in my particular case, I feel a lot of guilt over the manuscripts that I can’t decide on. The ones that sit in my inbox for more than three months. I know what it’s like to be a writer with a novel on submission, how exciting a full request is and how heartbreaking a pass is on that full after months of hopeful waiting. So I can’t bring myself to send a form response to those writers that I’ve requested fulls from, especially when I’ve sat on them for so long. Which means I take even longer to respond because I want to add a personal touch to my response, a reason I am passing but yet an encouraging note over that. I assumed all authors felt the same way. But you know what they say about people who assume…

Almost half voted for a quick form rejection! This made me seriously rethink my strategy. Perhaps there is a middle ground? A form letter that has been tweaked? What do you think? Would love comments and further opinions on this as I continue to evolve my submission pile strategy.

Happy Release Day: ADMIRAL by Sean Danker

The war is over.

Bound for their prestigious first duty station, three imperial trainees wake up aboard an enemy ship. The vessel is crippled, and the crew is missing. The only other living person aboard is a man appearing to be their superior, but he’s much too young to hold the rank he claims. He may not even be an Evagardian at all. When sabotage becomes evident, paranoia and suspicions run high, but this mysterious admiral could be the least of their worries.

It’s a dead ship on a dead planet; the freighter itself is sitting on ground that could give way at any moment, entombing them all. With no way to call for help, and quickly running out of air and options, their only chance is to embark on a perilous trek across the planet’s surface to reach an enemy colony that may not even be there. With dark questions lingering, they set out – but the planet isn’t as lifeless as it seems, and the war hasn’t ended for everyone.

There’s an excerpt!

You can order it here:

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Happy Independent Bookstore Day

Copperfield's Books

Visit and support your local indie bookstore this weekend in celebration! Copperfield’s Books in Northern California has some amazing displays including my favorite, an awesome dragon kite. Picked up copies of The Bell Jar and A Confederacy of Dunces while I was there, they’ve been in my to-read pile for a while. Unfortunately they were out of Sorcerer to the Crown, also on my list. What books did you buy today?

Starting Your Novel With A Birth: An Agent Weighs In

One of the more interesting aspects of our job is receiving a bulk of submissions that seem eerily similar. For instance the other day I read 3 submissions that had cell phones as main characters. I kid you not. But this post is not about the uncommon, but rather about the common.Lately I’ve been seeing quite a few novels open with a birth and although this is not a big bad thing, it didn’t work for any of these submissions.

Before launching that birth scene out into the submissionverse, pause a moment. Is it really necessary? Or is it a result of your subconscious? Three outside factors, not linked to your particular novel, may be the cause of that scene.

  • One, an opening scene with a birth usually means the mother dies (and very dramatically too). It’s an easy way to both begin your novel with action as well as develop the main character. Usually this main character is a hero of some sorts, and heroes often have tragic childhoods, something they have to overcome to make them stronger, wiser, better. How many famous orphaned heroes do we have in our stories? Batman, the Skywalker twins, Elsa, Potter, the list goes on and on. With so many famous orphans, has this classic storyline seeped into your novel? If so, introduce us to the hero in the beginning, not their parents who are going to die anyway.
  • Two, a birth signifies a beginning. Are you simply using it because you’re not sure where to start?
  • Three, and this is more personal, having recently given birth a month ago, I was given the forceful realization just how damn difficult labor and delivery is. It’s a crazy emotional painful rollercoaster that is completely unique. And what do we do as writers? We take life experiences and put them on paper. Write what you know and all that. So it’s not surprising if there is a deep desire to share your experience through the words of your novel. So consider whether the scene is just representing your ego, wishing to share your experience, or if it’s actually necessary to the story. Birth Humor

Ask yourself this. Why did you open your novel with a birth scene? Because more often that not, it’s unnecessary and actually prevents the story from moving forward. That opening scene is so important for laying the groundwork of the story and catching the reader’s interest. Make sure it’s a conscious decision. Because, just as in real life, the main character is not going to remember their birth and subsequently the reader is not going to care about it. So although it’s where their life began, it’s not where the story begins.

UPDATE: April 14, 2016

Upcoming Conferences

Although I am closed to submissions until September, I will be attending two conferences in that time in which I will be accepting submissions from authors who pitch me at these conferences. The Chuckanut Writers Conference in June and the Pacific Northwest Writers Association in July. I’m looking forward to both these conferences!pnwa

If you are able to attend either of these please come pitch me! For advice on how to approach agents at these conferences read my post Conference Etiquette: Advice From A Literary Agent.

Mary C. MooreMarch 17, 2016

 

Irish Vampire
Artwork by kBilltv.

An epistolary novel that actually reads well, a work that defined the modern vampire trope, and a class of gothic horror that I love. When I say no vampires in my submission guidelines, it doesn’t mean I don’t like them, just that the trope is a bit saturated in the market right now. And most of them aren’t this type of vampire anyway, but rather the sparkly romantic kind. So let’s take this moment to celebrate the good old-fashioned terrifying vampire. Happy Saint Patrick’s Day, cheers to Irish author Bram Stoker!

 

bram-stoker-dracula-1

Dissension by Stacey Berg

Happy Release Day: DISSENSION by Stacey Berg

For four hundred years, the Church has led the remnants of humanity as they struggle for survival in the last inhabited city. Echo Hunter 367 is exactly what the Church created her to be: loyal, obedient, lethal. A clone who shouldn’t care about anything but her duty. Who shouldn’t be able to.

When rebellious citizens challenge the Church’s authority, it is Echo’s duty to hunt them down before civil war can tumble the city back into the dark. But Echo hides a deadly secret: doubt. And when Echo’s mission leads her to Lia, a rebel leader who has a secret of her own, Echo is forced to face that doubt. For Lia holds the key to the city’s survival, and Echo must choose between the woman she loves and the purpose she was born to fulfill.

Read book excerpt.

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